Dr. K. Shimabukuro

Dr. K. Shimabukuro

Sunday, October 13, 2019

Building a Bogeyman: Constructing Folklore in Real Time

I got my Master's in Science: Secondary Education from the City University of New York: College of Staten Island. The students and staff called it something else, Willowbrook University.


As someone who attended night classes after teaching all day, I can tell you that the origins of the campus are very clear in the rolling green hills and architecture of the buildings. It still very much looks like a mental institution. And it was not hard to be creeped out walking across an almost empty campus night after night.

The horror of the place, the expose, was all common knowledge to the staff and students, although I'm sure the administration preferred to ignore it.


The staff I encountered, security guards and custodians, mostly locals, were always happy to tell stories about Willowbrook. One story in particular stuck with me- that removing so much of the equipment after the scandal broke and the state school was closed was too expensive, so in many of the buildings they just stored things in the basement and padlocked the rooms.

Of course, this is all wrong- the perception, WHY I and others constructed Willowbrook as horror, what scared us. As Sarah Handley-Cousins wrote so excellently for Nursing Clio, the construction of the asylum as haunted depends on the audience viewing disabled people as scary, a threat, a horror. At Willowbrook the torturous conditions the people were subjected to was a combination of a staff that did not care about basic human conditions, unregulated state schools, and horrific misconceptions on mental health. The stories I heard during my time there reflected this. I was there in 2001-2004, and was not in New York during the original reporting, but I knew who Geraldo Rivera was, although not that this was his "big break." The stories I heard still seemed fresh in people's minds. The stories I heard were of the criminally insane that were put in locked wards at Willowbrook because they did not fit at Riker's. Stories about people who were mentally ill or disabled, whose families put them in Willowbrook when they were very young and then promptly forgot about them. People who were deaf and mute, locked in rooms with dozens of others, of varying, serious, conditions, with food thrown at them, hosed off occasionally, sitting in their own filth.

 It is often reported as the "institution that shocked a nation into changing its laws." But while that's a convenient and easy story to tell, it's not really true. When Robert Kennedy visited in 1965 he famously called the place a "snake pit." But nothing changed. In 1972 Rivera took cameras inside and showed the world the horrific conditions which resulted in court cases that changed conditions and treatment. But Willowbrook remained open until 1987. In 1993 The College of Staten Island took over the campus.

There were plenty of true horrors of Willowbrook. How the residents were treated. How their families abandoned them. How staff disregarded the human beings in their care. The misunderstanding and total uninterest in treatment of mental health and disability. Then there are the horrors that continue to be perpetrated in the name of Willowbrook. The atrocities of that place have become local folklore, which means that the very real people who suffered there have been erased from the story, serving as background to set the haunted mood. What happened to them once Willowbrook closed? In light of the state of health care today has society learned anything, done anything different, or are they just better at hiding the Willowbrooks? Or in the case of the treatment at the camps on the border is it just a matter of perspective? Drawing clear lines between who matters and who doesn't? Horror requires a normal, an audience that is the object of the lesson, and the abnormal, that is the lesson. Historically who and what has been classified as horror is classist, racist, misogynist, and reflects colonial and patriarchal norms.

Willowbrook State School and the stories  told on the College of Staten Island campus are a lesson in folklore unfolding in real time. These stories are not from 100 or 1000 years ago, they are within a human lifetime yet how easily the real people affected by these horrors have been erased, leaving behind mood and images of hauntings that are totally divorced from reality.

I was reminded of all this this past week with two separate incidents.
The first was students were telling me about a haunted building on campus. We'd been talking about other things, and somehow it came up that dorms were full, overloaded almost, even though we had a couple of buildings/dorms that were empty, abandoned. Now, our school has gone through a period of low enrollment that we're recovering from, and the campus is slowly but surely renovating buildings that have needed it for a while so these conditions are not unusual or unexpected. But for the students this is not the story told. The students say that the building has been abandoned because it is haunted because a woman, a student, was brutally murdered there. They knew her name, the details (I later looked them up, they were accurate), and the aspect that I believe has led to it becoming folklore on campus- the fact that her murder is to date unsolved, and that it was reported the murderer taunted the family saying they'd killed the wrong woman.

True crime blogs have fed the sensational aspect by describing racist "wilding" behavior as having occurred on campus earlier, not too subtly blaming this environment for the murder. Then there's the aspect of betrayal, fear, because it occurred on campus in a dorm room. Feelings of normalcy and safety were an illusion. Blogs also create a conspiracy out of the event, saying that it's suspicious there is no "digital footprint" for the case, despite it occurring a good decade before Internet use.

The story has all the elements of a horror tale. The fact that the students know the details 35 years after the fact, and with few of them with local knowledge, not being from here, speaks to how easily and quickly this story became part of the campus' story. But to accept the horror of the tale is to ignore the racist framing of "savage" and "wild" predators and gangs that threatened a southern town. It ignores the fact that women are sexually assaulted and murdered at alarming rates. It also ignores the institutional racism in the south and elsewhere that determines who gets justice, who is deemed worthy of investigation, justice, and who is not. 

The students who told me the story were Black women, and I wondered how much this played into it. Did they construct this tale as horrific because the woman killed was Black? Does this tale resonate because the murder is unsolved? Because it focuses on common fears of college women- the isolation of living away from home, away from the safety of the known, exaggerated and internalized racist ideas of dangers in majority Black cities? The fear that if something happened to them justice would not be done? Why does THIS story get repeated?

The students did misidentify the location of the murder. They claimed it happened in a building currently empty when it occurred in a currently occupied residence hall. The facts are available online with little searching, so why the misidentification? Is it convenience to place it in an empty and unrenovated building? Does a used building not fit the narrative? Is it a reflection of how they constructed the horror of the tale, a way of placing distance between themselves and the horror, that it has to be in an empty building, one not used, the inside not seen, safely contained and not in a building students are currently living in? 

The other story I heard was just a few days later. This time the tellers of the tale were faculty not students. Someone asked where I lived, and I explained I was next to the hospital, a few houses down from the nursing home that is primarily a care facility for dementia patients. I was complaining that the EMTs aren't allowed to smoke on hospital grounds, so them drive in front of my house, smoke, and leave their cigarette butts all over the place. I also told them about this one man, in a wheelchair, who rolls himself over from the nursing home, to smoke, then rolls himself back. This prompted the faculty to tell me the story.

They were shocked that security was so loose because just a couple of years ago, a woman wandered off and died due to hypothermia (it was February). The place was supposedly under new management, and it does have two sections, one that is assisted living and one that is for the patients with dementia, so it's not unreasonable to think the man is just sneaking off then returning without issue. The story they told me was that she wandered off, but INTO the forest/swamp directly behind the home, and the entire neighborhood. The land behind this entire section of town is dense trees, wisteria, sloping down to swamp and then the river. Their story told me she'd wandered off and become lost in the woods. In reality, she wandered down the street and was found in a greenhouse about half a mile away. Unlike the murder, they did not know the woman's name. She was anonymous. Like the stories surrounding Willowbrook, she was a symbol, a stand in, not a real person. They specifically identified her as a dementia patient, she was not, she was part of the assisted living section, and it was reported she'd wandered off before. There was no alarm on the front door, so no one noticed when she left. The building is not gated or secured in any way. She most likely just walked out the door and down the street.

Unlike the haunted dorm story, these changes are a little easier to understand, and as much as they're disturbing for the fact that people still construct mental illness and disease as a horror, it is a known and familiar element. News reports, like the story I was told, erase her as a person from the narrative. There is a picture of her, her name, but the focus is on the death, and the consequences the home faced for the neglect. Her obituary tells a different story. Her picture is bright, cheerful. She was a caregiver within the community, with children, and grandchildren. She suffered from Alzheimer's, and probably became disoriented once she lost sight of the home (there's a bend in the road). She is a sad victim of neglect, a single narrative in a sea of them about how we mistreat and discard our elderly.

Her story as relayed to me already has the makings of folklore. An older woman walks into the forest, dies mysteriously. I've written before about the power of the folkloric forest. The forest and swamp that lead to the river are wild, dense, full of dangers, a reminder on the edge of the subdivision that not all is ordered and able to be controlled. Perhaps shifting the story to the forest mitigates the responsibility of the people who allowed her to wander off to her death. Does constructing a siren call of a forest as undeniable make the story more tragic? More inevitable? When did the story first shift to there? Was it an assumption on the part of the audience because it runs all along the subdivision, impossible to ignore? Because it's easier than believing she wandered down a residential street, into someone's yard and greenhouse and no one noticed? Is the forest a better, more palatable bogeyman than inattentive people?

Taken together, what stories or responsibility are these folkloric narratives explaining away? While the stories on the surface appear very different, they are both about women, from groups who have historically been neglected and ignored. In both stories as relayed to me the women are silent. There was no bit about screaming or yelling in the hauntings. The murdered young woman was described only for her murder, not for her family, or that she was graduating and going to be a teacher. In constructing her story as folklore, her true narrative has been lost. The story of the wandering woman has no dialogue. Her disappearance into the forest is the totality of the story. Who she was, how she got there is erased, considered of no consequence.

Both of these stories, told to me so close together made me think about how quickly stories can be constructed as folklore. A couple of years, a couple of decades, and the reality is transformed. It got me thinking about why this happens, to whom. I also realized that for an area that is quick to tell stories of ghostly colonists and pirates, in all my years of living here I really cannot recall this kind of specific folklore. Is it because the folklore of this region focuses on groups who are marginalized, whose stories aren't shared out of certain groups? Given where we are, is the folklore divided by race? What stories have I never heard? Whose stories have been ignored? What could we gain by studying these stories? Both their construction as folklore and the truth of their beginnings, the work of telling the world about these women. Who they were, not what the stories made them out to be.



Saturday, October 5, 2019

How I am Teaching Shakespeare This Semester

When I was planning out my Shakespeare class this semester I wanted to do it a little differently.
I wanted to use a few narrow lenses to focus on and teach the students to view the plays.
I wanted to focus on really unpacking and digging in on the plays we covered, not to rush to cover things.

Here is my syllabus.

The idea was to look at four plays, Macbeth, Twelfth Night, Othello, and The Tempest. For each play I would present the students with the lens to view the play through- gender roles, race, colonialism. In week one I would ask them what they thought of those lenses, what their current knowledge and preconceptions were. For week two we would read and discuss the play, first covering comprehension, then analysis. In week three we would read scholarly articles and discuss them. I tried to choose scholars that represented major arguments in the field. I tried to have good representation of Scholars of Color, queer theory, controversies. I have shown the students what these scholars look like. I was lucky enough that #RaceB4Race was this semester, and I shared that as well with them.

I framed Macbeth as the slow walking play. We watched the Patrick Stewart movie version first, then talked about gender roles. I walked them through the comprehension and analysis. I modeled what we would be doing with the other plays. Then we applied gender roles to Twelfth Night. 

I have been explicit in my conversations about race and gender roles. I am very thankful to the work of Shakespeare Scholars of Color on Twitter, and especially the SAA15 Modern Race Bibliography. I have shared these things with my students. Their English majors, and I think it's important to have these explicit, clear conversations with them and that they know the field they're going into. Also, I think it's very important they SEE that there are scholars like them out there.

There have been a few things I learned so far this semester:

  • Our school does rental textbooks that is covered as part of their tuition, which is cool. BUT it also means that students cannot write in their books which is kinda a big deal for English majors. I encouraged Dover editions, and showed them Folger's Digital Editions, but at this point, decided this was ridonkulous, and I bought them copies of Othello and The Tempest because I think it's important they be able to annotate in their books.
  • Many have only covered the No Fear version of Shakespeare so we've spent more time on the language and comprehension.
  • I've also had them take pictures of their notes as prep for class to help them see how important that is.
They all seem to like the class, and the set up has worked. I have cut some of the secondary readings, because I rather they have the time to focus on and unpack a single article rather than rush through multiple journal articles.


There were four main assignments, a presentation/project that is a way for them to informally explore a topic they might be interested in, a close reading paper, a response to a scholarly article, and a final paper/project (an unessay). Their intro to research topics were very cool. Next week we'll start on their close reading papers, and we've been doing class activities that focus on that. We've been reading and discussing scholarly articles, so they've also had practice prepping them for the response. Their final paper/project can be any topic, any form, and we'll spend time talking those through, but I encourage them to use one of the lenses that we've studied and use that as the foundation for their project.

The Shakespeare class is currently a required class. I am suggesting that we replace it with an Early Modern Global Texts class. First, because that's the state of the field. Two, I think it is a better fit. And finally, I think the texts will be better.

While I've made adjustments, the frame of the class has worked well. I think it helps a lot to have clear lenses so they know what they're reading for especially with texts they're not familiar with. And like I said, they're enjoying the class and format.

Midterm Conferences

My school does midterm exams, Thursday through Wednesday.
I teach Composition, Brit Lit Survey I, and Shakespeare and don't give tests so I decided to do something different.
I cancelled classes and instead asked students to sign up for one on one conferences in 15 minute increments. I told them I was doing this because I understood they had classes that DID give midterms, and I wanted to give them a bit of a break, and a chance to focus on those classes.
These conferences were super low-key. In my office, I have my desk where my computer is off to the side, and a table where I conference with students. The conference table is the first thing you see when you walk in.

I bought snacks. I wanted to buy fruit- bananas, apples, grapes, but I was worried I'd end up with an office full of rotting fruit so I bought this. There were some student requests, which I fulfilled. Then, funnily enough, when I TOLD the students I wanted to get fruit, they said they would've eaten fruit, so yesterday I bought fruit for Monday, Tuesday, Wednesday's conferences.


My conferences are short and sweet.
I ask how they're feeling about the class.
I ask if there's anything they need help with.
I ask if there's anything I can do.
I ask how their midterms and other classes are going.
Before they leave I tell them good luck on their midterms, and that there are snacks if they want.

I learned a lot about my students in these two days. Some when asked about how they feel about the class answer by telling me how they feel they are doing in the class. Some answer by telling me how they feel I'm doing in the class. Some shared some very rough things. When you ask students how they are, and they know that you're asking because you genuinely care, they answer you.

There were some things that they mentioned, stood out that I thought I'd share.
Every student who comes in my office comments on how nice it smells. I always have an apple-cinnamon plug in. I learned from my years of teaching high school, that a welcoming smell can make a big difference. In fact, some students knew to find my office BECAUSE someone told you it smelled good.
My door is decorated, with notices, comics, pictures. When I was a 1st gen student, and knew nothing about college, door decorations were always interesting to me. How welcoming a professor might be. What they were liked. My students like that Nehi is on my door, both in a picture AND that my weekly schedule says that I go home at lunch to let Nehi out. They also liked my Calvin and Hobbes cartoon. They didn't know who they were, but they thought the cartoon was funny.


I also put out my game of Othello. I bought it just for my office. The tagline for the game is "a minute to learn, a lifetime to master." I used to play with my Mom, and man, she used to throw that tagline in my face! I swear, all the years we played, I think I only beat her a couple of times. I tell my students this story when they ask about the game. Several stayed to play with me. They said they liked it. I told them they were always welcome to come back and play.

I have a deck of cards too. I like playing gin rummy, but no one took  me up on it.

I did not have a lot of goals with doing this other than showing students I understood what was going on with them, giving them space to breathe, and offering support. I think these types of things are important.

One of the things I really love about where I am is that I am building something here. I see these types of things as laying a foundation. This midterm routine will become a regular thing. Students will learn they can depend on it. I hope it opens the door to them feeling more comfortable to come see me, use me as a resource, and for our English majors, an advisor.

These are small kindnesses. They don't cost much. But the impact, the effect, I hope, is big.